Giraud de bornelh biography of barack
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New History of Medieval French Literature , X, ,
Table of contents :
Cover
Contents
Translator&#;s Note
Introduction
PART I: WRITING IN THE MIDDLE AGES
1 The Materiality of Writing
2 The Question of the Author
3 The Work and Its Audiences
4 The Work and Its Milieux
PART II: THE FIELD OF LITERATURE
5 The Subject Matter
6 The Paths to Writing
7 Modes of Composition
8 Models of Writing
PART III: BUILDING THE SENSE
9 The Question of Literary Heritage
Conclusion: The Incubation Period
Chronology
Notes
Bibliography.
Citation preview
A New History of Medieval French Literature
Rethinking Theory Stephen G. Nichols and Victor E. Taylor, Series Editors
A New History of Medieval French Literature JACQUELINE CERQUIGLINI-TOULET Translated by SARA PREISIG
The Johns Hopkins University Press Baltimore
Originally published as “Moyen Âge,” in La littérature française: dynamique et histoire, edited by Jean-Yves Tadié. © Éditions Gallimard, Paris. © The Johns Hopk
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| Name | Born | Died | Information |
| Gaalman, Alphonsus (Alphons) Josephus Bernardus more | 18 Feb. Henglo, The Netherlands | 4 Mar. | Dutch organist, pianist, composer and conductor |
| Gabriel, Mary Ann Virginia | England | pianist and composer of operettas, cantatas, piano pieces and songs | |
| Gabriel Marie, Jean (born Jean Marie Prosper Gabriel) more | 8 Jan. Paris, France | 29 Aug. Puigcerdà, Girona, Spain | father of the composer jean Gabriel-Marie (see below), Gabriel Marie's works include the immensely popular La Cinquantaine ("The Golden Wedding", ) for cello and piano, for octet, and various other arrangements (entry promoted by Ivor Solomons) |
| Gabriel-Marie, Jean (or Jean Gabriel Marie) more | composer, son of the French composer Jean Gabriel Prosper Marie (see above), director of the Institut Gabriel-Marie in Marseille | ||
| Gabrieli (or Gabrielli), Andrea [Andrea di Cannaregio] more | c | late Venice, Italy | Italian composer and en person som spelar orgel of the late Renaissance. • The Troubadours (Robert Briffault; )IntroductionEmperor improvised for the occasion a ditty in the Provençal tongue which has come down to us. The troubadours and the Germanic bards met again some years later, when Barbarossa came to be crowned King of Arles and sojourned for a time in Provence. It was during this period that the first German Minnesingers made their appearance in the castles of the Danube. They were in every respect the dis ciples of the troubadours. The songs of Heinrich von Weddeke, Friederich von Hausen, Reimar der Alte and Heinrich von Morungen are copies, in form and content, of those of Languedoc. 6 Like the Swabian emperors, the Plantagenet kings claimed, as part of their Angevin dominions, the lands of poesy, and showered favor upon its ídepts. Aliénor of Aquitaine, grand daughter of the first troubadour, Count Guilhem of Poitiers, and mother of the minstrel king, Richard the Lion-Hearted, was among the first and most ardent patrons of Provençal poetry. |