Glenys lynne biography examples

  • Glenys Lynne Mynott (born 5 May 1945) is a South African singer, later part of Four Jacks and a Jill, who is known for hits such as Ramaja, Haai Casinova and.
  • Glenys Lynne, the lead singer for Four Jacks & A Jill, was a female, while Brian Hyland was singing about his girl.
  • Singer.

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    Biography

    Glenys Lynne Mynott (born 5 May 1945) is a South African singer, later part of Four Jacks and a Jill, who is known for hits such as Ramaja, Haai Casinova and Een, twee, drie.

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    SA ROCK DIGEST ISSUE #82

    The South African Rock Music Digest
    is a free, subscription e-mag, edited
    by Brian Currin and Stephen Segerman
    and delivered direct to your e-mailbox.

    Established January 1999.

    To unsubscribe: reply to this issue
    with "unsubscribe digest" as subject

    ----------*********-----------

    CONTENTS
    -----------

    1.WHAT'S NEW - SA Rock Files, One World, Christmas in Cape Town, Giant Steps, Retro Fresh, Smashing Pumpkins
    2.CHARTS - Top 10 SA CDs, Top 20 SA songs, Top 20 SA Albums, Top 10 SA MP3 downloads, This week 30 years ago, Top 10 Classic SA Rock albums, Top 10 All-time Great SA Pop and Rock songs
    3.ON scen - Saron Gas
    4.NEW RELEASES - Christmas In Cape Town, Just Jinger, Jenny Delenta
    5.USA for SA - Four Jacks And A Jill
    6.CLASSIC ROCK - John Ireland
    7.FORUM - Wanda Arletti
    8.REQUESTS - PJ Powers
    9.ON THE NET - Jesse Jordan
    10.WHAT'S ON
    11.LINKS
    12.BACK ISSUES
    13.CONTRIBUTIONS
    14.CONTACT DETAILS
    15.SUBSCRIPTIONS
    _
  • glenys lynne biography examples

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    The development of Music in South Africa timeline 1600-2004

    Published date

    1600s

    In the Dutch colonial era, from the 17th century on, indigenous tribes people and slaves imported from the east adapted Western musical instruments and ideas.
    The Khoi-Khoi developed the ramkie, a guitar with three or fyra strings, based on that of Malabar slaves. They used it to blend Khoi and Western folk songs.
    Then there was the mamokhorong. It was a single-string violin that was used bygd the Khoi in their own music making and in the dances of the colonial centre, Cape Town, which rapidly became a melting pot of cultural influences from all over the world.
    The governor of the Cape had his own slave orchestra in the 1670s.
    1800s
    In a style similar to that of British marching military bands, coloured (mixed race) bands of musicians began parading through the streets of Cape Town in the early 1820s, a tradition that was given added impetus by the travelling minstrel shows of the 188