Nima yushij biography of michael

  • Nimā Yushij (), the first major modern Persian poet, developed a poetic form later called New Poetry, Free Poetry or Nimāic Poetry.
  • Nima Yushij () is considered the father of what has come to be known as Sher-e Now (the New Poetry), a major poetic movement that, by undermining the.
  • He moves through different language registers—formal, colloquial, archaic, even obsolete ones.

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    شعر فارسی در لس آنجلس:درد بازگشت در برابر انطباق پذیری

    This essay is based on a talk presented at Stanford University on February 21, by Majid Naficy.

    Los Angeles is sometimes called Irangeles, because more than half a million Iranians live there. Most of them have komma to this city during or after the Revolution. They were either beneficiaries of the fallen monarchy or supporters of the revolution who became disillusioned and suppressed by the rising theocracy. Soon after arrival, Iranians established Persian radio, television and newspapers as well as bookstores and music shops in Los Angeles.

    Iranians are very proud of their classical poetry and consider the national epic of The Shahnameh, composed by Ferdowsi a thousand years ago as the tecken of their nationality. Therefore, it is not surprising that covering Persian poetry in Iranian media, selling classical collections of poetry in bookstores and teaching Rumi and Hafez in private classes spread rapidly among Iranians inom

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    “The Phoenix” by Nima Yushij and George Darley: The Poet-bird’s Yearning for a Resurrection of Poetry

    Abbott, Claude Colleer.The Life and Letters of George Darley, Poet and Critic. London: Oxford University Press,

     “Biography of George Darley”. n.p. web.2/26/< >

    Blake, N. F, ed. The Phoenix . Manchester: Manchester University Press,

    Bloom, Harold. The Visionary Company: a Reading of EnglishRomantic Poetry. New York: Cornell University,

    Bradshaw, Michael. “Burying and Praising the Minor Romantic: The Case of George Darley”. Poetica 54 ():

    Brisman, Leslie. “George Darley: The Peot as Pigmy”. Studies in Romanticism ():

    Colum, Padraic. Ed. Anthology of Irish Verse. New York: Boni and Liveright,

    Darley, George. “Introduction”. The works of Beaumont and Fletcher, Volume 1. By F. Beaumont. London: George Routledge and Sons,

    Duckett, E. Therese. Dreams Speak: But What Are They ReallySayi

  • nima yushij biography of michael

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    AN AUTOBIOGRAPHICAL VOICE - M i c h a e l H I L L M A N N

    Women's Autobiographies In Contemporary Iran

    The dearth of biographies of Iranian literary figures is startling, especially in light of the centrality of literary biography in those western literatures from which twentieth-century Iranian writers have drawn inspiration. For example, despite continuing fascination on the part of Iranian readers with the life of Sadeg Hedayat (), the most influential Persian prose writer since Sa'di (cc), no biography of him exists forty years after his death. The same is true of Nima Yushij (), the most influential poetic voice in Iran since Hafez (cc), despite the fact that hundreds of letters and other archival materials have become available in the three decades since his death. Neither are there biographies of the prominent modernist poets Ahmad Shamlu (b) and Mehdi Akhavan-e Sales (b), or any other living Iranian literary figure.
    Responses to attempts in the s at a biography of